Category Archives: Historical interpretation

Report from the 2012 AAAM Conference in Baltimore

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Last week I attended the Association of African American Museums conference along with two hundred other people from across the country.  I’d never attended before but since it was close by in Baltimore, I decided to take a chance and it turned out to both educational and fun.  Although I only attended one day, I’d like to share some of the highlights from the sessions I observed.

In “Understanding Exhibition Design and Planning“, the panelists all stressed the importance of pre-design, which includes determining which spaces will be devoted to exhibits, visiting other exhibits to clarify what you like (and don’t like), conducting visitor research, identifying potential artifacts and images, roughing out a budget and schedule (is the exhibit feasible?), and determining the maintenance costs.  The Harpers Ferry Center of NPS offers an exhibit planning template for FileMaker Pro.  The panel also provided a rough estimates of exhibition costs for design and fabrication:

  • $150-250/sf: 2D items, graphics, pedestals for 3D objects, little to no media.
  • $250-350/sf: 3D object displays, more extensive use of graphics, some media elements
  • $350-500+/sf: custom cases, media, electromechanical interactives, theatrical lighting/projectors.

They stress that costs could be lower, but it will then rely heavily on reusing ideas or elements from earlier exhibits or projects.  The panelists also believed that better designs are the result of longer development schedules, not more money.  More time allows for more iterations of designs to refine ideas.  Finally, for new buildings, they suggest that exhibit designers be brought in early to the process because they help program the space because they tend to “design from the inside out”–but that will require that the architect is willing to collaborate.  For a copy of the PowerPoint presentation, contact Chris Danemeyer at Proun Design.

Claudine Brown, the Assistant Secretary for Education and Access at the Smithsonian Institution, was the luncheon speaker.  She laid out the new interpretive direction for the Smithsonian and why they matter to museums, especially those that focus on African American history and culture.  The challenges facing the Smithsonian is that they need to preserve the evidence of the past, be relevant in the present, and be prepared for the future [and these are ideas all museums and historic sites can follow].  The three big topics the Smithsonian will be interpreting are:

  • Americans All: a shared experience as immigrants, everyone came from somewhere else, but all share a common country.
  • Waterways:  Water is a serious problem and its estimated that 2/3rds of the world will suffer water shortages by 2025.
  • Creativity and Innovation:  With our current high unemployment rates, museums can be part of the solution by providing learning opportunities that simulate real life and helping the next generation learn how to organize, strategize, and act.

The session on developing mobile applications was led by the Digital Humanities Center at Michigan State University, which maintains an online clearinghouse of mobile museum applications.  The session provided some estimated costs for producing various applications, as follows:

  • $0-?: mobile-ready website (creating a website that can be easily viewed on a smartphone; most common solution)
  • $5,000-$60,000:  native application (self-contained program that’s downloaded and works without an internet connection)

The session stressed that mobile applications rarely generate revenue–the average return on investment is $688 and takes 51 years–so look for other benefits to the institution.  It may be possible to generate revenues from after-market sales, such as an app that promotes a book, photoprints, music, and attendance at an event.  When I asked about the effectiveness of applications, the person sitting next to me suggested I look at #SocialMedia Daily, a blog that aggregates news about social media and apps.

Remembering the 1,933rd Anniversary of the Eruption of Mt. Vesuvius

Animation still from “A Day in Pompeii,” You Tube video at http://youtu.be/w82yVDOMIa0

This may seem far-afield from the interests of most historic sites, but 1,933 years ago today, Mount Vesuvius erupted and buried the city of Pompeii (resulting in one of the world’s most popular historic sites about 1,700 years later).  The Denver Museum of Nature and Science is marking the anniversary by tweeting the last day of Pompeii as it happened, starting at 10 a.m. today by @Elder_Pliny (formerly known as Pliny the Elder, who witnessed the events) in preparation for an exhibit on Pompeii opening on September 14.  So far, he has more than 3,000 followers and he just tweeted that he’s preparing his boat to get a closer look (should I warn him?).  Along with the tweets, the Museum has created a mashup with Google maps to follow Pliny around Pompeii, is hosting “Bacchus Raucous” (a fundraising gala dressed in a Roman toga) and is featuring a lecture on Ceren, a Mayan village that was also encased by a volcanic eruption centuries ago.

Thanks to Sandra Smith at the Heinz History Center sharing this clever approach in interpretation.

Jump Start Your Interpretation with a Scholars Workshop

As an interpretive planner, one of the common circumstances I encounter at a site or house museum is that historical research hasn’t been conducted for years, perhaps even decades.  It’s not that research and scholarship isn’t appreciated by the staff.  Typically there was lots of research done when the site first opened, but staff just hasn’t had time since then (the distractions of “toilet paper and light bulbs”, alas!) or there isn’t the incentive now that the place is open (“history hasn’t changed that much in twenty years, has it?”).

The past may not have changed, but our interests continually change.  Right now, the Civil War is hot but in a couple years it could be jazz.  Without new historical research, eventually tours, exhibits, events, and programs, and yes, even staff lose their edge and the place seems dull and boring.  And you have to stay committed to research for the long term because as other sites mimic your innovative interpretation, it eventually settles into a regional monotony when everyone does the same thing (e.g., now it seems that every Colonial house museum is discussing foodways, lives of servants, and the contradictions of liberty and slavery).

Scholars Workshop underway at Drayton Hall. Director George McDaniel is providing an introduction to the site during the first part of the workshop.

If you find that you’ve ignored research far too long or that your research endeavors need some direction and refinement, a scholars workshop may help.  For a day or two, a small team of scholars gathers at your site to review the current interpretation and historical resources (archives, collections, and buildings) and then discusses how they might be refined, updated, or approached in new ways.  They can also confirm existing plans, support new ideas, and suggest new books or archives to explore.  By including staff in the workshop, it rekindles their energy and allows them to think longterm and strategically about interpretation.  For an example of the structure of a scholars workshop, take a look at Continue reading

Put Your Organization to the Rorschach Test

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If you’re finding that your organization is in a rut and you no longer feel as inspired about its work, it might be useful to look at it in a new way by creating a “word cloud” of key documents, such as a strategic plan, mission and vision statements, interpretive themes, or visitor evaluation.  A word cloud is a visual presentation of the most frequently used words, sized by frequency.  For example, if you use the word “history” ten times more than “preservation” in your strategic plan, “history” shows up much larger than “preservation” in the word cloud.  The word cloud allows you to look at your organization from a different perspective: words jump out at you and prompt questions about what’s being emphasized (and what’s not).

As examples, in the slide show above I’ve assembled word clouds from the first few paragraphs of the About section of the websites (which often includes the mission or vision statements) of the following historic sites:

I’ve used word clouds in strategic planning sessions to Continue reading

Historic Sites Garner A Dozen+ Grants from IMLS

The Institute for Museum and Library Services recently announced the awards for the latest round of Museums for America grants, which include projects at more than a dozen historic places.  It’s always a quick way to see what’s happening around the country to get ideas as well as identify what projects are attractive to funders.  Congratulations to the recipients, especially our colleagues who are working with historic sites, including:

Kodiak Historical Society – Kodiak, AK
Award Amount: $52,706; Matching Amount: $52,810
Contact: Ms. Anjuli Grantham, Curator of Collections
(907) 486-5920; anjuli@baranovmuseum.org

The Kodiak Historical Society will complete design development for 2,800 square feet of exhibits at the Baranov Museum, located within the National Historic Landmark building known as the Russian-American Magazin. The project will foster the planning and design of Continue reading

IMLS Moves Deadline in Response to Comments from Museums

In a surprising move, the Institute of Museum and Library Services will be changing the application deadline for Museums for America and National Leadership Grants from January 15, although it won’t happen until 2014 at the earliest and the new deadline hasn’t been announced.  The 2013 deadline remains January 15.  According to Claudia French, Deputy Director for Museums, “We wholeheartedly support this suggestion and will change the deadline for FY2014. The time required for final approval of new grant guidelines through the Office of Management and Budget (OMB) will not allow us to alter the date for FY2013.”

This was a result of more than 100 comments received from the field as a result of a major restructuring of their grant programs.  IMLS did not reveal what other changes are under consideration or what concerns were reflected in the comments, however, they did affirm that, “In 2013, there will be no restrictions on the number of applications a museum may submit to MFA or NLG-Museums. . . .Museums submitting applications in more than one project category will compete with other museums in each category, not with themselves.”

Thanks to everyone who submitted comments on the proposed IMLS grant guidelines.  This has been one of the most controversial topics in the museum field that I encountered this year, so I’m happy to hear that museums and historic sites had some influence and that the IMLS was willing to accept public comments and provided an initial response so quickly.  A complete statement from IMLS is available on their blog.

 

Comments on IMLS Revised Grant Guidelines Due Today

A crew from Alabama repairing downed power lines in Maryland near my office.

Electrical power was out in my part of the world for a couple days earlier this week due to the fierce thunderstorm that struck the Midwest and Mid-Atlantic on Friday.  Some parts are still without power and although I haven’t conducted a survey to see how the nearby historic sites fared, I have heard that one historic house museum in Virginia is facing about $30,000 of clean-up costs due to fallen trees and branches.

But power and Internet have been restored to my office, just in time to submit my comments to IMLS on their revised guidelines to their grant program.  Comments are due today to comments@imls.gov.  Here’s what I submitted:

Please accept these comments for the public record regarding the draft guidelines for the FY 2013 Museums for America and National Leadership Grants for Museums programs of the Institute of Museum and Library Services.

I appreciate the federal Continue reading

Slave for a Day? I’m Not Sure This is a Good Idea

Footsteps of the Enslaved, a new program at Hampton

Hampton, a National Historic Site operated by the National Park Service, recently announced a “Slave for a Day” program which will allow visitors, to, “Experience agricultural labor that enslaved people may have performed at Hampton. Work in the fields with actual hoes and scythes. Carry buckets of water with a yoke on your shoulders.” After a chorus of howls went up on the Internet, the title was changed to the much more tame, “Walk a Mile, a Minute in the Footsteps of the Enslaved on the Hampton Plantation” but the program content remained the same. I certainly want to encourage the ranger who developed the program to continue to pursue her passion for African American history, but I’m not sure these activities, as described, get visitors to fully understand what life was like for enslaved people.  Antebellum farming is about hard work; Continue reading

IMLS’ Revised Grant Guidelines Need Revision

In May, the Institute of Museum and Library Services (IMLS)–the national agency devoted to museums and libraries–released a new set of proposed guidelines that would significantly revise their grant programs for museums (and that includes historic sites, historical societies, house museums, and preservation organizations).  Initially, these changes were proposed to go into effect without comment from the field, but fortunately enough museums spoke up that director Susan Hildreth changed her mind and announced she would welcome comments–but the comment period ends on Friday, July 6, 2012.

According to IMLS, the guidelines affect the Museums for America and National Leadership Grants for Museums programs, however, the impact is much larger because these programs are proposed to consume two other grant programs: Conservation Project Support and 21st Century Museum Professionals.  Claudia French, deputy director for museums, proposed the changes so that the grant programs would align better with the IMLS strategic plan and make it easier for grantees and IMLS staff.

Here are the major changes that caught my eye:

1.  One deadline to rule them all:  January 15.  Currently, the deadlines for Continue reading

Google Launches World Wonders Project

Independence Hall in Google World Wonders. To protect the statue’s identity, his face has been blurred!

Google recently launched its World Wonders Project, an edited compilation of world heritage sites using its Street View technology to “bring to life the wonders of the modern and ancient world.”  If you’re not already familiar with Street View, it allows you to navigate Google Maps through 360-degree images so you can look left, right, up, and down.  At present, they’ve assembled 132 sites from 18 countries, including Stonehenge, Pompeii, Versailles, and Himeji Castle. Sites are organized by location and theme, and each site features a large navigable photo with a map and a slide-out window of information, video, and photographs.  The World Wonders Project also includes education packages for primary and secondary levels that are linked to specific “wonders,” such as “liberty and the US declaration of independence” for Independence Hall.  These are large zipped files, so I didn’t investigate them.

It’s exciting that Google is working with Unesco and the World Monuments Fund to bring  attention to this amazing places, but there’s some work to do.  First of all, Continue reading