Wall between two exhibitions at the Delaware Historical Society.
The Delaware Historical Society reopened their museum last fall with two new complementary exhibitions designed by the Gecko Group, one a comprehensive history of the state and the other on the history of African Americans in Delaware. I recently visited the museum with Scott Loehr, the CEO, who pointed out a clever interpretive technique. The two exhibitions share a common wall, which has a doorway that allows visitors to walk from one to the other and exhibit cases on either side. It’s not immediately obvious, but the objects on display are interpreted differently depending on which side of the wall you’re standing.
For example, a Crown Stone from the Pennsylvania-Maryland Border has a two-sided label. The side facing Continue reading →
In this 4:03 video, Artsy explains why a patron supports an artist and how this influences the art market. What compels patrons to support artists’ careers? How has the model of commissioning impossible ideas lasted from the ancient Egyptians until today? This short film is the third and latest in a series of four short films about the art market by Artsy. Even if you’re not interested in this topic, the interpretive presentation may be a model for your videos.
Openlab is convening an unconference, talks, and a planningworkshop in Washington, DC on December 1-2 to “to accelerate the speed and impact of transformational change in the GLAM (gallery, library, archive, and museum) sector” in order to “to increase and disseminate knowledge; to encourage civic dialogue and engagement; and to support individuals in their right to access and participate in culture.” The brain child of Michael Peter Edson of the Smithsonian, much of OpenLab’s work seems to be focused on using digital technologies to solve age-old questions, such as “what needs to change in galleries, libraries, archives, and museums?” and “what is missing in the current funding and support landscape for GLAMs and the humanities?” It’s all a bit nebulous and unclear, but that’s the core nature of an unconference. Nevertheless, it’s one of many concurrent efforts to increase the impact of museums in society (and yes, we’re still in the fragmented stage).
The first day on December 1 (today) is the unconference and a series of Ignite talks from 2-7 pm in Arlington, Virginia that’s free and open to the public. The second day, however, Continue reading →
This 2:20 video by Nick Papps provides a contemplative introduction to the 1637 Fairbanks House in Dedham, Massachusetts, believed to be the oldest surviving timber frame house in North America and now an historic house museum. The video blends contemporary and historic images accompanied by the reading of a 1937 poem by Elizabeth Fairbank Rock.
Jill Frechie produced this 2:00 video explaining Art Splash, a summer program for families at the Philadelphia Museum of Art. Emily Schreiner, associate curator of education, explains some of the 300 programs offered during the ten week period, which features a different object each week. Three hundred programs in ten weeks? I’m exhausted just thinking about it.
Cedric Conti produced this 2:00 video about “Bens, the Legendary Deli,” an exhibit currently on view at the McCord Museum in Montreal, Canada. Includes French subtitles! Bens Delicatessen, founded in 1908 by Benjamin Kravitz (1883-1956), closed in 2006 after nearly a century in business. The exhibition brings together some 100 objects, including posters, architectural plans, photos, counter stools, dishes, utensils, menus, recipes and testimonials that recount the history of this landmark, the very first of Montreal’s famous smoked meat restaurants.
This is a 2:38 amateur video documenting the “Museum of Water,” an unusual “live artwork” by Amy Sharrocks at the historic Somerset House, a new arts and culture center in London.
A melted snowman. Droplets from a baby’s bath. Sacred draughts from an Indian river. Just some of the items donated to London’s newest museum. In the atmospheric underground spaces of Somerset House, Amy Sharrocks invites you to consider our relationship with the most precious liquid the world has to offer.
Looking for museums in your county or state? Want to know how you compare to other museums across the nation? You’ll find them in the Museum Universe Data File recently produced by the Institute of Museum and Library Services (IMLS). It’s a free database of museums in the US that includes names, addresses, contact information, total revenue and expenses, and GIS data.
IMLS held a webinar today to explain the datafile and answer questions. They constructed the list from several sources, including the Internal Revenue Service and Foundation Center, which were then reconciled to remove duplicates. Data will be updated every six months based on continuing research and community feedback. IMLS will be using the datafile to conduct sampling surveys for future research projects, such as collections care, to inform their programs and share results with the field and Congress, however, you are encouraged to use it as well.
The big news is that of the 35,144 total museums in the US, most are related toContinue reading →
A hip video by Philipp Kaindl promoting the Leopold Museum in Vienna, which houses the world’s largest collection of paintings by Egon Schiele. The video is not just about the collections but also the activities and people in and around the museum and told without any words. Can any of these ideas be applied to historic sites or history museums?
Historic downtown Monterey with the Cooper-Molera Adobe in the background.
The National Council on Public History will hold its annual conference in Monterey, California from March 19-22, 2014. It will be the first time I’ve attended a NCPH conference and I’m thrilled–the schedule is packed with a variety of sessions that will appeal to those who are working on the cutting edge of historic sites and house museums, including:
Educational sessions on co-created exhibits, tribal partnerships, preserving LGBT sites, interpreting slavery, the history of museums, stewardship of archaeological sites, cultural landscapes, and the sustainability of museums.