Category Archives: Historical interpretation

Be the Early Bird to Catch a Deal on AASLH’s Annual Meeting

Friday, July 21 is the deadline to catch the early registration price of $328 ($253 for members); it jumps to $393 the next day.  AASLH offers the widest variety of sessions and workshops for house museums and historic sites at a national level and attracts some of the best minds in the field.  This year, the annual meeting will be held in Austin, Texas from September 6-9 and include:

  • Awaken the Historic House: A Fresh Look at the Traditional Model, an afternoon workshop led by Brett Lobello of Brucemore.
  • Current Issues Forum: What Role Should Historic Sites Play in Teacher Professional Development? moderated by Sarah Jencks at the Ford’s Theatre Society.
  • Engaging Programs = Engaging Communities?, a session I’ll be moderating on different ways to engage more effectively with your local community.
  • Preserving and Interpreting Contested Histories of Missions and Missionaries moderated by Barbara Franco, an independent scholar.
  • Historic Preservation Never Ends: Practical Maintenance for Your Historic Buildings moderated by Evelyn Montgomery of the Dallas Heritage Village.
  • From Millstone to Crown Jewel: Revitalization and Transition of a “Tired” Site moderated by Mike Follin of Ohio History Connection.
  • Parks and Prejudice: The Legacy of Segregation and State Parks moderated by Cynthia Brandimarte of Texas State Parks.
  • The Great Debate: Engaging Audiences vs. Protecting Dollhouses moderated by Brandie Ragghianti of the Charlotte Hawkins Brown Museum.
  • Lessons Learned: The Legal, Ethical, and Practical Issues Involved in Finding a New Steward for Upsala moderated by Carrie Villar of the National Trust for Historic Preservation.
  • Open the Door! Approaches to Interpreting Historic Landscapes moderated by Sean Sawyer of the Olana Partnership.
  • Historic House Museum Affinity Group Breakfast featuring Ken Turino of Historic New England.
  • Bucking the Trend: Energizing Historic Homes in Central Texas moderated by Oliver Franklin at the Elisabet Ney Museum.

Of course, these are just a small part of the 85 sessions, keynote presentations, field trips, evening events, and an exhibit hall happening over a few days in Austin.  There’s usually much much more available than you’ll ever have time to do and I’m often torn between 2-3 sessions at the same time.

To register or for more information, visit go.aaslh.org/AMreg.  Although registration fees for this national conference are very reasonable, especially at the early registration rate, AASLH offers several scholarships to reduce expenses (although their application deadlines have already passed).  If you can’t attend, there’s also an online version where you can hear six sessions that are especially presented as webinars, including my session on Engaging Programs = Engaging Communities? (they’re not simply a broadcast of the conference session).  They’ll be available for six months and can be viewed as many times as you like at rates starting at $60.

James Madison’s Montpelier Unveils New Exhibition on Slavery & Enslaved

On Monday, June 5, James Madison’s Montpelier in Virginia opens “The Mere Distinction of Colour,” a major exhibition on the history and impact of slavery in the United States. It examines slavery both from the perspective of James Madison and his peers as well as from the 300 men, women, and children enslaved by the Madisons at Montpelier. It’s a complex and difficult story, but Montpelier has been researching and interpreting this topic for nearly 20 years. Thanks to a generous $10 million gift from David Rubenstein (co-founder and co-CEO of The Carlyle Group), that effort will be move to a higher level in this path-breaking exhibition. During the past two years, the museum staff worked closely with Proun Design, Northern Light Productions, and Mystic Scenic Studios to design, fabricate, and install the exhibition.

As an advisor and consultant to Montpelier for nearly fifteen years, I’ve watched its interpretation evolve. This exhibition is a major step forward for them and for Continue reading

Making History Matter in a Shopping Bag

When I recently visited the NY History Store at the New-York Historical Society, they provided me with a sturdy bag to carry my newly purchased books, but also an engaging history game. On one side of the bag are a dozen questions, such as

  • Who kept live whales in Manhattan?
  • Who were the Death Avenue Cowboys?
  • When did slavery end in New York state?
  • Why is Broadway on an angle?
  • Who gave New York its famous nickname: The Empire State?
  • What is New York’s first museum?

To find the answers, to either have to Continue reading

Can You Create a Mission-Related Petting Zoo?

A clever storage area for odd-shaped tools and equipment at Strawbery Banke.

I just returned from leading a historic house management workshop for AASLH at the Strawbery Banke Museum in Portsmouth, New Hampshire. It’s always an opportunity to pick up some good ideas from the host institution and at Strawbery Banke, there was no shortage. Most intriguing was their Heritage House Program which restores and leases fifteen underutilized properties, creating a virtual endowment fund to support their educational programs. It’s an outstanding combination of mission and financial sustainability, earning it an award from the New Hampshire Preservation Alliance and a feature on NPR’s “All Things Considered.”

In my workshop, we discuss the importance of combining mission and sustainability using one of my favorite tools: the Double-Bottom Line.  I often joke that if historic sites just wanted to increase attendance, they might as well become petting zoos of puppies and kittens. Incredibly, Strawbery Banke has figured out how to make a mission-related puppy zoo in an event called, “Baby Animals.”  For one week, visitors can learn about a dozen heritage breeds such as Jacob sheep, Nigerian goats, and Gloucester Old Spot pigs.  No, they can’t be petted but families can watch lambs, kids, and piglets play, eat, and sleep.  For those who are really interested, there are a couple lectures and a “meet the animals” program for children ages 4 to 8 where they can have a snack, feed the animals, and create a take-home gift for $25.  What a clever idea! I’ve attached the brochure on Baby Animals at Strawberry Banke with more details.

Upcoming Workshops Just for Historic House Museums (plus Big Discount Today)

Wheelwright House was built in 1780 at Strawbery Banke Museum inIf you’re looking to sharpen your house museum or historic site, AASLH is offering two workshops in the next couple months that are just for you.  I’m co-teaching in both of them, but discussing very different topics:

Reinventing the Historic House Museum” on March 22, 2017 at Cliveden in Philadelphia, PA.  Ken Turino and I will explore techniques, processes, and examples for reimaging historic house museums, using Cliveden as a case study and exercises that are based on your historic site.  Unfortunately, this workshop has already sold out with fifty participants, however, additional workshops are under consideration in other regions.

Historic House Museum Issues and Operations” on April 6-7, 2017 at the Strawbery Banke Museum in Portsmouth, NH. George McDaniel and I provide a broad overview of the management of house museums, which I consider one of the most complex responsibilities in the museum field (who else puts their most important object outside 24/7?).  We cover a lot of territory in two days, from boards to fundraising, from collections to interpretation, from sustainability to disaster preparedness.  It’s ideal for those who are opening a house museum or a new director of a house museum, but I’ve found that even those who are working in established house museums benefit because it allows you to step back and get the big picture. With more than three dozen historic houses from the 17th to the 20th century, the Strawbery Banke Museum is a great place to study house museums of every variety, plus Portsmouth is a charming New England town.  Registration is $270 members/$385 nonmembers, but you get $40 off registration if you book by March 2.  If you can act fast, you can save an additional $50 off of the early-bird rate (that’s $90) if you book today (midnight, Thursday, February 23) by using the code “HHMFlash.”

These two workshops are offered annually and travel around the country, often at the request from a historic site or house museum.  If you’d like to bring one of these workshops to your region, contact Amber Mitchell at AASLH at 615-320-3203 x 814.

 

Delaware Historical Society Cleverly Interprets One Object Two Way

Wall between two exhibitions at the Delaware Historical Society.

Wall between two exhibitions at the Delaware Historical Society.

The Delaware Historical Society reopened their museum last fall with two new complementary exhibitions designed by the Gecko Group, one a comprehensive history of the state and the other on the history of African Americans in Delaware.  I recently visited the museum with Scott Loehr, the CEO, who pointed out a clever interpretive technique.  The two exhibitions share a common wall, which has a doorway that allows visitors to walk from one to the other and exhibit cases on either side. It’s not immediately obvious, but the objects on display are interpreted differently depending on which side of the wall you’re standing.

For example, a Crown Stone from the Pennsylvania-Maryland Border has a two-sided label. The side facing Continue reading

Video: How to Visit a Museum

Nick Gray at Museum Hack recently published this 2:27 video on how to visit a museum, which is surprisingly similar to how I visit them.  I LOVE museums but my friends are often disappointed that I’ll read the introductory label and then just walk through the galleries non-stop. You might assume I’m just a “streaker” but just like Gray, it’s to get an overall sense of the exhibits so I can choose where to spend my time. I’ve learned you can’t spend an equal amount of time on everything in a museum so I have to choose what will give me the most enjoyment and the best experience.  I’ll visit the galleries a second time, stopping at those objects or topics that most interested me in my initial run-through (but always allow for serendipitous exploration).   Still, it’s hard to fight museum fatigue and mental overload after a couple hours, but that’s what museum restaurants are for.

I do something similar for historic sites, but in this case I’m analyzing the architecture and landscape to figure out how circulation, organization, views, and alignments are expressed through design (a particular interest of mine).  That’s why I often become frustrated by guided tours of period rooms, whose slow circuitous crawl through a dozen rooms leaves me disoriented (and bored, sorry).

How do you visit museums and historic sites?  What experiences helped you understand them better or enjoy them more? Share them in the comments below.

NMAAHC Director Lonnie Bunch Named a Washingtonian of the Year

Lonnie Bunch, a Washingtonian of the Year.

Lonnie Bunch, a Washingtonian of the Year.

The January 2017 issue of Washingtonian, the magazine for the Washington DC region, named Lonnie Bunch as one of its “eleven locals whose commitment to helping others makes Washington a better place to live.” Usually the list is made up of wealthy philanthropists, sports figures, political leaders, and education reformers, so it was a nice surprise to see an historian who works at a museum named among its most benevolent in a city full of history and museums .

Lonnie Bunch is the founding director of the National Museum of African American History and Culture, which opened last fall and whose continuing popularity makes admission one of the hottest tickets in town.  Bunch was previously the president of the Chicago Historical Society and curator at the National Air and Space Museum, National Museum of American History, and the California African American Museum, where I first met him twenty years ago when I was conducting research on jazz bands in 1920s Los Angeles.  I’ve always enjoyed my encounters with him, which often happen as happy accidents through a last-minute invitation to dinner in Chicago, running into him during the Folklife Festival, or sharing a car ride with him to the airport in Charleston.  So I was delighted when he agreed to write the foreword for my first book, Interpreting African American History and Culture at Museums and Historic Sites.

Washingtonian recognizes Bunch for his effort to find a spot on the Mall for the museum, raising much of the $270 million to match Congress’ contribution, and attracting donations from people across America.  I also know him as a Continue reading

Lefferts Historic House features Monument to the Unelected

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“Monument to the Unelected” by Nina Katchadourian at the Lefferts Historic House. Photo by Jaap Grolleman.

The Lefferts Historic House in New York is featuring Nina Katchadourian’s Monument to the Unelected, a temporary art exhibit consisting of 58 signs bearing the names of the losing candidates from every presidential election in American history. Designed to look like modern campaign yard signs with names boldly displayed on white corrugated plastic, Katchadorian wanted to recognize that “these markers tend to crop up in the weeks leading up to an election, after which they disappear, with some of the names going on to take office and others being largely forgotten.”  The exhibit now includes Hillary Clinton and will be on view on the house’s front lawn until this Sunday, November 13, 2016.

Lefferts Historic House is owned by the New York City Department of Parks & Recreation, operated by the Prospect Park Alliance, and is a member of the Historic House Trust. This project is supported by the Historic House Trust’s Contemporary Art Partnerships program and the New York State Council on the Arts.

More at the Prospect Park Alliance and Huffington Post, plus a Periscope video on Twitter.

Video: History is Essential

The Indiana Historical Society recently produced History is Essential, a 5:08 video that explains the value of history through interviews with teachers, business CEOs, and community leaders intercut with historic photos and films.  Thanks to John Herbst, President and CEO at the Indiana Historical Society, for sharing this at the recent History Relevance Campaign workshop in Washington, DC.