Tag Archives: Belle Grove

News from Montpelier and Belle Grove in Virginia

Last Friday I was in Virginia and thought I’d share what’s been happening at James Madison’s Montpelier and Belle Grove, two historic sites that I’ve been associated with for more than a decade.  

 

The day started with a meeting of the Interiors and Interpretation Committee at James Madison’s Montpelier to see the most recently restored rooms at the mansion, advise them on the next phase of work, and to meet Kat Imhoff, the new president of the Montpelier Foundation.  The committee hasn’t met for a couple years so I was particularly anxious to see what’s been happening at this nationally significant site.  The drawing room, dining room, new library, and James Madison’s office are furnished (or nearly so) and with revisions to the tour, it’s a dramatically different visitor experience.  If you haven’t been there in a couple years, it’s well worth another visit.  I enjoy participating as a committee member because Montpelier gives me the unique privilege of staying overnight on site (not in the mansion, alas, but in a nicely updated house in the Constitutional Village).  Even better are the people I work with when I visit–passionate and enthusiastic colleagues who are among the best in their fields.  This meeting included Conny Graft, Betty Monkman, Gail Serfaty, David Mattern, and Robert Leath and to give you a glimpse of their fervor, one of the committee members brought an undiscovered Madison letter that descended through her family and we stayed up until midnight (at least that’s when I went to bed) to discuss and analyze it.  

In the evening, I stopped by Belle Grove in Middletown on the way home to congratulate Elizabeth McClung on her retirement.  Their board of trustees hosted a well deserved celebratory party with lots of speeches, food, and wine.  Elizabeth has served for 17 years at the helm of this historic site, making tremendous strides in preservation and interpretation to make it a major point of pride in the community.  She helped create the Cedar Creek and Belle Grove National Historical Park, launched new research initiatives on African American and women’s history, acquired extremely important family portraits and adjacent land parcels, fought bloody preservation battles in the Shenandoah Valley, revised the website, authentically restored the parlor and dining room, and raised LOTS of money (those are just the things I’m aware of from my distant view!).  Her last major project was the rehabilitation of an early 20th century barn for educational activities and while funds still need to be raised for the exhibits, 4274 Design Workshop unveiled a new model of Belle Grove as it appeared in 1820.

It was an incredibly full and fun day visiting these two historic sites, and because I was mostly traveling the Virginia countryside, a great day of driving on a beautiful day as well.

Frank Lloyd Wright’s Archives Transferred from his Homes to NYC

Taliesen, Spring Green, Wisconsin, 1932. Drawing by Frank Lloyd Wright.

The Frank Lloyd Wright Foundation, which owns and operates Taliesen and Taliesen West–the homes and studios last used by Frank Lloyd Wright–has transferred its architectural archives of papers, drawings, and models to the Avery Architectural & Fine Arts Library at Columbia University and the Museum of Modern Art in New York City.  The collection includes more than 23,000 architectural drawings, about 40 large-scale, architectural models, some 44,000 photographs, 600 manuscripts and more than 300,000 pieces of office and personal correspondence. “The Frank Lloyd Wright Foundation takes seriously its responsibility to serve the public good by ensuring the best possible conservation, accessibility, and impact of one of the most important and meaningful archives in the world,” said Sean Malone, CEO of the Frank Lloyd Wright Foundation. “Given the individual strengths, resources and abilities of the Foundation, MoMA and Columbia, it became clear that this collaborative stewardship is far and away the best way to guarantee the deepest impact, the highest level of conservation and the best public access.”

The decision to transfer the collections couldn’t have been easy for the Foundation–it’s a significant part of their identity with tremendous historical and cultural value.  Admitting you can’t care for a collection is difficult–but organizations should regularly ask themselves if they’re the only ones to do this work and if someone else can do it better.  It’s especially tough at historic sites and house museums–they typically have the most complex collections management issues of any museum. Not only are they caring for Continue reading