Author Archives: Max van Balgooy

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About Max van Balgooy

President of Engaging Places LLC, a design and strategy firm that connects people to historic places.

Is it Time for a Membership Program Tune-up?

Museum Membership Pyramid QuestionOne of the basic ways to raise funds for museums and historic sites is through membership. It’s particularly valuable because those funds are unrestricted and pay for utilities, insurance, office supplies, maintenance, and yes, even salaries–those essential expenses that usually don’t excite donors.  We hope that most members will renew, thus increasing revenue while maintaining expenses, and a few will become more engaged and eventually become donors who contribute the funds that really make a difference.

On the other hand, membership programs are a continual management challenge for non-profit organizations.  The expense of maintaining a basic membership rarely covers the cost of administration (the printing and mailing of member newsletters, membership cards, and renewal notices).   Complicating matters is that it doesn’t seem that people want to be “joiners” any longer–membership  in all types of organizations, including unions, service clubs, professional associations, political parties, churches, and even bowling leagues has fallen.  If the membership piece of the pyramid is getting smaller, that means the number of donors will fall as well.

Museums and museum associations are rethinking membership to overcome these challenges by exploring some new directions and possibilities, including:

1.  Enlarging the pool of potential members (and other supporters).  Begin with a preliminary step of gathering contact information for as many potential supporters as possible.  Some may become members who pay annual dues, others will pay admission to attend events, and some will support a cause with money, time, or talent.  The Dallas Museum of Art went so far as to Continue reading

Video: Mapping Historic Sites Through Internships

[vimeo http://vimeo.com/107080371]

This 6:38 video describes a partnership between the Etowah Valley Historical Society and the Kennesaw State University to map historic sites throughout Etowah Valley in Georgia using GIS with the aid of college interns.  Jennifer Leifheit-Little directed the project.  You can find some of the results of this project in the interactive historical maps on the historical society’s website, with such topics as African Americans, Native Americans, mining, cemeteries, and Civil War (note: these maps take time to load and most didn’t seem to show any data in my Chrome browser).

AAM’s Education Committee revives its Web Page

AAM EdCom web pageEdCom, the Education Professional Network of the American Alliance of Museums, recently revived its web page after a few months on hiatus.  You’ll not only find basic information about EdCom, the group that’s focused on education and interpretation in all types of museums (including historic sites), but resources, such as “Excellence in Practice: Museum Education Principles and Standards,” and a suggested bibliography.  If you want to keep on news, you’ll want to join them on Facebook, Twitter, or LinkedIn.

With the recent restructuring of membership at AAM, you can join any one of the 22 professional networks (there’s even one for Historic House Museums) for free if you’re an individual professional member.

Is Historic Preservation Ready to Preserve Culture as well as Architecture?

Sustaining San Francisco's Living History by San Francisco Heritage

Sustaining San Francisco’s Living History by San Francisco Heritage

The fundamental boundaries of historic preservation have been significantly expanded by San Francisco Heritage, one of the country’s leading historic preservation organizations. In Sustaining San Francisco’s Living History: Strategies for Conserving Cultural Heritage Assets, they state that, “Despite their effectiveness in conserving architectural resources, traditional historic preservation protections are often ill-suited to address the challenges facing cultural heritage assets. . . Historic designation is not always feasible or appropriate, nor does it protect against rent increases, evictions, challenges with leadership succession, and other factors that threaten longtime institutions.”   In an effort to conserve San Francisco’s non-architectural heritage, historic preservation must consider “both tangible and intangible [elements] that help define the beliefs, customs, and practices of a particular community.” Did you notice the expanded definition?  Here it is again:  “Tangible elements may include a community’s land, buildings, public spaces, or artwork [the traditional domain of historic preservation], while intangible elements may include organizations and institutions, businesses, cultural activities and events, and even people [the unexplored territory].”

With many historic preservation organizations, it’s all about the architecture so protecting landscapes, public spaces, and artwork is already a stretch.  They’re often not aware that Continue reading

Video: Long Beach Historical Society Cemetery Tour

[vimeo http://vimeo.com/107648495]

City TV produced this 4:10 video documenting the Historical Society of Long Beach cemetery tour (“where every plot has a story”). Started in 1995, the Historical Society conducts its annual living history tour at the city’s two oldest cemeteries on the Saturday before Halloween.  It attracts about 600 people each fall and according to one visitor, “It’s not weird at all. . . .It’s a cool place to spend an afternoon.”  Admission is $25, $15 for members, $8 for students.

Video: Cahokia Mounds, A Visitor’s Perspective

[vimeo http://vimeo.com/107530568]

In this 1:28 video, Sarah Barnard shares her visit to Cahokia Mounds State Historic Site in Illinois, a World Heritage Site and once one of the largest cities in North America.  If you interpret historic sites, it demonstrates that many visitors see the tour as just one of many activities during their visit and shows that what they find interesting and significant may be different from the site’s.  What I found most interesting is that the huge visitor center with exhibits and store was excluded from the video.  No doubt she explored the visitor center (it’s at the entrance) but I suspect it wasn’t as important as seeing the authentic historic site.

Video: Memory Series–The Warehouse

In the 2:34 video, Tianwei Studio documents “The Warehouse,” a three-channel video installation installed in an old warehouse in downtown Lubbock, Texas. It’s part of “The Memory Series is a series of site-specific video installations exams personal and collective experiences of memory. Through the over used public imagery, brings historic awareness and collective memory to the obsolete industrial architectural space, where memory is not based on an illusion of static and eternal time, but derives from the awareness of temporal change.”  It’s much more aesthetic than interpretive, but you might find some new ideas for interpretive methods (such as filling an entire doorway with a projected image) for your historic site.

Hot Topics in Collections Management Tackled in St. Paul

The annual meeting of the American Association for State and Local History always covers a diverse range of topics, but collections management is certain to be among this.  This year in St. Paul was no exception and three very different projects caught my attention.

"Deteriora and the Agents of Destruction" by the Indiana Historical Society.

“Deteriora and the Agents of Destruction” by the Indiana Historical Society.

In a poster session, Tamara Hemmerlein shared Deteriora and the Agents of Destruction, a publication of the Indiana Historical Society.  Presented as a “living graphic novel,” it informs readers about the various ways to preserve collections from light damage, pests, dust, and mishandling (represented by such villians as Ultra Violet, Mass-O-Frass, and Miss Handler) and includes links for additional information.  I’m not sure of the intended audience, but it’s a lot more fun than reading a collections management policy.

collections avalancheChatting in the hallway, Continue reading

Know a Museum or Site Making an Impact with History?

Discussing the History Relevance Campaign at a packed session at AASLH in St. Paul.

Discussing the History Relevance Campaign at a packed session at AASLH in St. Paul. Photo by Lee Wright.

At the American Association for State and Local History annual meeting in St. Paul, the History Relevance Campaign presented an update on their work to a packed audience. During the session, we presented the Impact Project, a year-long process for identifying and studying historic sites and history museums that are making history relevant in their community. The goals of the Impact Project are to:

  • Increase the use of history as a way to understand and address critical community issues.
  • Help board members and staff make an impact in their communities by integrating best practices into their strategic and interpretive plans
  • Encourage AASLH and other professional associations to include standards on community relevance and impact
  • Encourage academic programs in history, public history, and museum studies to include community relevance and impact in their curriculum
  • Encourage elected officials, funders, and communities to provide more support for history organizations that are making an impact
  • Provide every Governor with at least one example of history organizations that are making an impact in their state

We Need Your Help

We are looking for history museums, historic sites, and similar organizations that are Continue reading

Arts-and-Crafts Meets Machine at the Gamble House

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Fans of the Gamble House, the Arts-and-Crafts masterpiece created by Greene and Greene in 1908, will either be thrilled or horrified this Halloween season.  The Machine Project has transformed the House during the Pasadena Art Council’s two-week AxS Curiosity Festival to reveal the history and visual ideas behind the historic site in subtle and not-so-subtle ways.  Called the “Field Guide to The Gamble House,” it includes experimental tours and dances, group naps, operatic bird beaks, seances, videos, architectural lawn furniture and a secret Swiss-Japanese fusion restaurant. Complementing those live events, they’ve installed contemporary paintings and sculptures throughout the house to juxtapose today’s artistic ideas with 1908′s architectural style. On-site, hands-on workshops offer lessons in topics ranging from soap-making (a tribute to the family’s business) to solar robotics, from Craftsman-style cat houses to basic electronics, bringing the Arts and Crafts movement in parallel with today’s Maker groups.

Here’s a rundown of some of the events: Continue reading