The Active Collections group is developing a new model to streamline the deaccessioning process, but they need information about current practices at house museums and historic sites to figure out how to best go about this. If you’d like to share what’s happening at your institution as well as your thoughts on the process and impact of decessioning, please take their online survey. This is part of a field-wide survey, so we really want to be sure historic sites and house museums are well represented. To learn more, visit ActiveCollections.org.
Category Archives: Collections
If You Visit the Netherlands, Get a MuseumKaart
I’ve just returned from a week-long study trip to the Netherlands, a whirlwind visit that included nearly two dozen museums and historic sites, thanks to the MuseumKaart. This card provides free (and sometimes discounted) admission at most museums in the Netherlands for a year. It can be purchased at any participating museum for €55 and although it was a lot of money to pass over on my first day, I received it back quickly because admission fees range from €5 (Edam Museum) to €17.50 (Rijksmuseum). As a museum geek, they definitely lost money with me. Even better, it’s good for a year, unlike the 1-3 day “I am Amsterdam” card, so there’s no rush. The card not only saved me money, but encouraged me to see places I wouldn’t ordinarily visit, such as the Museum of Bags and Purses or the Willet-Holthuysen Museum.
My week in the Netherlands was provocative and I’ll be sharing some of the best and most interesting experiences in the coming weeks. In general, museums and historic sites in the Netherlands seem to:
Video: Smithsonian’s Museum Goes High Tech
In this 3:35 video, The Verge interviews Aaron Cope, the head of engineering, about the new high tech exhibits at the Cooper Hewitt Museum, which is in the former home of Andrew Carnegie and part of the Smithsonian Institution. The Cooper Hewitt closed for the last three years for an extensive renovation to imagine a museum that was part of the Internet and served as a bridge to their huge 130-million-object collection.
How to Get a Behind-the-Scenes Look at Historic New England
Historic New England presents its annual Program in New England Studies (PINES), an intensive week-long exploration of New England from Monday, June 15 to Saturday, June 20, 2015. PINES includes lectures by noted curators and architectural historians, workshops, behind-the-scenes tours, and special access to historic house museums and collections. The program offers a broad approach to teaching the history of New England culture through artifacts and architecture in a way that no other museum or historic site in the Northeast can match. It’s like the Attingham Summer School as a week in New England.
Examine New England history and material culture from the seventeenth century through the Colonial Revival with some of the country’s leading experts in regional architecture and decorative arts. Curators lecture on furniture, textiles, ceramics, and art, with information on history, craftsmanship, and changing methods of production. Architectural historians explore architecture starting with the seventeenth-century Massachusetts Bay style through the Federal and Georgian eras, to Gothic Revival and the Colonial Revival.
Expert presenters include: Continue reading
Are There Cultural Connections Between North and South?
On April 26-29, 2015, the Preservation Society of Newport County (aka the Newport Mansions) is hosting a symposium on the cultural connections between the North and South from the Colonial Period to the Gilded Age as seen through furnishings, silver, textiles, painting, architecture, and interiors. Scholars include:
- Daniel Kurt Ackerman, Associate Curator, Museum of Early Southern Decorative Arts
- Brandy Culp, Curator, Historic Charleston Foundation
- Caryne Eskridge, Project Manager & Research Coordinator, The Classical Institute of the South
- Stephen Harrison, Curator of Decorative Art & Design, Cleveland Museum of Art
- Brock Jobe, Professor of American Decorative Arts, Winterthur Museum, Garden & Library
- Alexandra Kirtley, The Montgomery Garvan Associate Curator of American Decorative Arts, Philadelphia Museum of Art
- Jefferson Mansell, Historian, Natchez National Historical Park
- George McDaniel, Executive Director, Drayton Hall
- George H. McNeely IV, Vice President, Strategic & International Affairs, World Monuments Fund
- Richard Nylander, Curator Emeritus, Historic New England
- Tom Savage, Director of Museum Affairs, Winterthur Museum, Garden & Library
- Susan P. Schoelwer, Robert H. Smith Senior Curator, George Washington’s Mount Vernon
- Arlene Palmer Schwind, Curator, Victoria Mansion
- Carolyn Weekley, Juli Grainger Curator, Colonial Williamsburg Foundation
- Martha Willoughby, Senior Specialist, Christie’s
Registration is $600 and includes an opening reception at Rosecliff (1902) and dinner in the Great Hall at the Breakers (1895). Scholarships are available to undergraduate and graduate students, as well as arts and humanities professionals. To register or for more information, contact symposium@NewportMansions.org or call 401-847-1000 x 160. Tell them that you heard about it from Engaging Places and you’ll receive a 10% discount!
IMHO: The National Trust’s Collections Management Policy is Not Ready to Eat
Last year, the National Trust for Historic Preservation adopted a new Collections Management Policy (CMP) and widely promoted it at professional conferences and in national publications as a model to house museums and historic sites to resolve some of their stewardship challenges. At its heart is,
“a new approach—one that treats the historic structures and landscapes, and the object collections, as being the same type of resource. This approach places the historic buildings and landscapes on a par with objects and documents, strengthening the interconnected stewardship and interpretation of these historic resources.”
It’s a good idea but it’s not a new approach.
American Wing at the Met featuring the facade of the 1822 Branch Bank of the United States.
Early in the twentieth century, museums of various types began collecting buildings. Henry Ford moved Edison’s laboratory and the Wright Brothers bicycle shop to his Greenfield Village, John D. Rockefeller quietly bought dozens of buildings to create Colonial Williamsburg, and the Metropolitan Museum of Art installed the facade of the Branch Bank of the United States as the featured object of its 1924 American Wing. Much later, landscapes were considered worthy of preservation and now most historic estates, such as Casa del Herrero, Miller House and Garden, and Marsh-Billings-Rockefeller National Historical Park, treat their gardens and landscapes with the same respect as the furniture and art works at their sites.
The National Trust’s rationale for their new approach is that, “conflicts between Continue reading
Museums Responding to Mosul and Nimrud
According to reports received by the New York Times, ISIS has “destroyed parts of two of northern Iraq’s most prized ancient cities, Nimrud and Hatra. On Sunday, residents said militants destroyed parts of Dur Sharrukin, a 2,800-year-old Assyrian site near the village of Khorsabad.” The extent of the destruction is shown in this video (not for the faint of heart):
It’s a reminder of the important role that museums and historic sites play in preserving heritage and culture–and how easy it is for it to be destroyed and lost. It’s also a reminder that places far away from America can affect us, both politically, economically, and culturally. Some museums have found a way to make this connection through temporary exhibits, including this vacant vitrine at the Field Museum:
Exhibit case at the Field Museum noting destruction at the Mosul Museum in Iraq.
If your organization is also responding to the destruction of museum collections and historic sites in Iraq, please share your ideas in the comments below.
Hot Topics in Collections Management Tackled in St. Paul
The annual meeting of the American Association for State and Local History always covers a diverse range of topics, but collections management is certain to be among this. This year in St. Paul was no exception and three very different projects caught my attention.
“Deteriora and the Agents of Destruction” by the Indiana Historical Society.
In a poster session, Tamara Hemmerlein shared Deteriora and the Agents of Destruction, a publication of the Indiana Historical Society. Presented as a “living graphic novel,” it informs readers about the various ways to preserve collections from light damage, pests, dust, and mishandling (represented by such villians as Ultra Violet, Mass-O-Frass, and Miss Handler) and includes links for additional information. I’m not sure of the intended audience, but it’s a lot more fun than reading a collections management policy.
Chatting in the hallway, Continue reading
Video: Behind the Scenes: Alan, Curator
This 2:53 video features Alan Jutzi discussing his work as the chief curator of rare books at the Huntington Library. It’s one of five videos comprising “Behind the Scenes: Staff and Researchers at the Huntington Library,” which gives visitors a peek into the inner workings of a library that is normally off public view. The videos focus on day-to-day processes—and personalities—of a conservator, curator, archivist, page, and “reader” (the Huntington’s term for a scholar/researcher). Visitors to the Huntington can view them on iPads in “The Library Today,” an education display in a room adjacent to main exhibit, “Remarkable Works, Remarkable Times.” Yes, it’s missing an educator but it does help explain the work of some of the people at a research library. Is this something that would help the public, donors, and supporters better understand the work you do? You’ll find more details about the videos in Jennifer Watts’ post on the Huntington blog.
Pushing the Period Room Beyond the Period at Hunter House
Hunter House, Newport, Rhode Island.
Last week I was in Newport, Rhode Island (no, I wasn’t traveling with the President; I was conducting a marketing assessment for an historic site) and visited Hunter House, the historic house that prompted the formation of the Preservation Society of Newport County. Today the Society is best known for its Gilded Age Mansions (or Cottages depending on your point of view). Hunter House has a beautiful view of the harbor but it’s off the beaten path and focused on colonial history, which doesn’t attract the crowds who make the pilgrimage to The Breakers and other grand estates along Bellevue Avenue.
The lower profile gives Hunter House the opportunity to try a different approach to period rooms, one that I find much more successful from an interpretive perspective. Although visitors often believe that period rooms show how people actually lived, curators know they are exhibits created to evoke an era. While they may contain authentic furnishings, they are often displayed or arranged in inauthentic ways for aesthetics, safety, security, or lack of sufficient knowledge. Period rooms are also victims of tradition and nostalgia–how many times have you seen Continue reading
Engaging Places 